"Romeo and Juliet, Mariinsky Ballet, Royal Opera House"

http://www.theartsdesk.com/dance/romeo-and-juliet-mariinsky-ballet-royal-opera-house

어제 런던 코벤트 가든에서 공연된 마린스키 로미오와 줄리엣에 대한 아트데스크의 리뷰 링크.

비슈네바와 슈클랴로프에 대한 내용 발췌 :

she is completely Juliet, and though her dancing is gorgeous, that pliant body sheer sighing perfection in line after line, you only notice it intermittently, when it would be right for Juliet to be beautiful.

Generally those times are when she’s in the arms of her Romeo, the boyish, handsome, tremendously likeable Vladimir Shklyarov. For all he is capable of both glorious leaps and extremely refined elegancies, Shklyarov too is the kind of dancer who inhabits a role (or at least, this role) completely. His tender, adoring style of partnering is exactly right for Romeo; it is one of the production’s best moments when the curtain rises on Shklyarov’s back while he gazes reverently at a drowsy, ecstatic Vishneva in lying in bed.

When they are inhabiting Romeo and Juliet’s desperate passion, neither Vishneva nor Shklyarov spare themselves the occasional turned-in foot, or dial their speed down so as to land softly and neatly; they are unstoppable as a tidal surge. Shklyarov hurls himself down the steps of Juliet’s mausoleum with bruising, injury-courting force; Vishneva runs so fast that she leaves mostly just an impression of black cloak, airily suspended in her wake like the inky calling card of some vanishing sea creature. You can’t fail to respond to performances this convinced and convincing; when Romeo and Juliet die, it may be with overbaked gestures, but Vishneva and Shklyarov had earned the prickings of tears in my eyes.

.. 아아 나도 보고 싶다 ㅠ

이 아쉬움을 귀가 후 둘의 로미오와 줄리엣 영상으로나마 달래야지 ㅠ